The Thirties were a defining decade for the United States, as the Great Depression and the state’s reaction to it fashioned the course of history. The Chicago History Museum has a new showcase exploring part of that technology’s records. You may not think about fashion and how Hollywood created a brand new look for American women.
It all begins in Paris. (Well, the fashion does, anyway.) For many years, Paris turned into the metropolis of love, the City of Light, and the city that wealthy ladies visited to buy gowns. So that’s in which the Chicago History Museum’s new gown showcase begins: with the work of designers like Coco Chanel and Elsa Schiaparelli.
“Very wealthy Chicagoans, New Yorkers, different Europeans, would flock to Paris to get their garments custom-built,” stated Virginia Heaven, a partner professor of favor research at Columbia College Chicago and the curator of “Silver Screen to Mainstream.” “They’d have special fittings, and it changed into a completely customized and a splendid enjoy.”
In the early years of the American style, the patterns frequently trickled down from whatever the French designers had been doing. But within the Thirties, an more and more universal new medium started to make its presence known.