Milk Teeth lives up to its name in some approaches — it alludes to that harmless first romance that frequently evolves into something a lot extra complex, the feelings around a primary home that everybody must come to phrases with, and the procedure of reconciling with who you’re and what you want.
The love affair between a town and its residents has usually been a rich source of ideas for writers. Since people plant their roots in a city, matching the heartbeat of their life to that of a Madras or a Bombay, it is similarly inevitable for this sort of romance to seem one-sided. Amrita Mahale’s debut novel recognizes this as her characters engage in what can perhaps be described as inevitably clumsy human methods.
Milk Teeth lives as much as its name in several ways. For example, it alludes to that harmless first romance, which often evolves into something loads extra complex, the feelings around a primary domestic that everybody should come to phrases with, and the technique of reconciling with who you are and what you want. Such is the case for the protagonist Irawati Kamat and her early life friend Kartik Kini, whose lives revolved around their cooperative society constructed in Matunga. The book alternates between flashbacks and the present — the ’90s — to portray the essence of a metropolis in an alternate, capturing the time when Bombay grew to be Mumbai.